TV Review of "Glee" Season 1, Episode 16: "Home"

Tonight's episode of Glee, "Home," was beautiful and fantastic. Such emotion and realistic dialogue and directing let the actors really shine. Here are my thoughts on what I loved, what I hated, and what I thought just worked really well for the show and the characters.


Things I loved
I loved finn's mom's scene where she's explaining letting go of her husband/finn's dad and that their home hasn't really been the home it would've been with finn's dad weren't missing. So spot on in dialogue and beautifully acted by both Cory and Romy (the actors playing Finn and Carole). So accurate. My mom was riveted on Finn's mom and I was riveted on Finn's reaction to the chair.

I loved the Mercedes and Quinn scene. So touching. Another example of fantastic and accurate writing. When Quinn said that eating to keep her baby healthy and strong made her ask why isn't she willing to give herself that kind of care and attention... so spot on.

I love how Mercedes's "Beautiful" ballad was powerful, yet toned down from the high pitch of Aguilera's equally amazing, but different, version. Amber Riley really hit the emotion and the music.

And I loved how Will Schuester is acknowledging and feeling his loneliness – the loneliness that comes from having been in the same serious relationship since when he was 16.

What I hated
On another note, I hated how the investigative reporter never interviewed any students or faculty, or even Sue herself since he interrupted her in her office right before she was about to put her foot in her mouth. A good reporter lets the subject speak for itself. And a good reporter never goes and tells the subject how the article is going to turn out.

I didn't really care for the song selection, either. And while I love Kristin Chenoweth's talent and energy, the songs they gave her didn't pop the way it could have with different songs and thematic ties. The music-in-story seemed a little forced and disjointed and even Kurt's rendition of "A House is Not A Home" was pretty painful, thanks to it coming out of nowhere and being infused with both the parent-dating drama and the Kurt has a crush on Finn drama.

What I thought worked
How nice was it to have a break from the kid's angsty love lives and other melodrama going on. In other words, thank you, writers, for putting Rachel and Jesse in the background this episode. They're talented and all, but Glee needs this to be an ensemble cast with ensemble scenes, not designated "stars." And Glee needs to show that it knows it has the potential to be more than just the music – and the music is only as good as the emotions tying it to the story.

It was also nice to see a responsible, competent and sane school nurse on the premises. When she showed up on the screen telling Mercedes that her mother was on her way to pick her up, and said it all calmly and with sympathetic understanding, well, that was a not insignificant moment for me.

ENTERTAINMENT OP-ED: Tyra Banks puts on a show and show's off her ignorance

So Tyra Banks and her "America's Next Top Model" crew decided to plaster colored skin creams all over their contestant's faces in an effort to make them look, as one contestant put it, "so exotic." Some are calling it a return of the hated blackface. Others argue it's just acting. All wonder if it's going to even be a controversy.

I've detested this show since it was first a twinkle in the WB/CW's eye so nothing they do that's offensive or controversial really surprises me since I find the whole concept and industry behind high-end fashion modeling offensive and degrading, but this is just astounding because for all my hate on Tyra Banks and the fact that young women actually eat her superficial crap up, I kind of figured that she and her peers were just working with what they've got and are savvy enough to use society's obsession to their advantage, but this just makes them flat out stupid, in my opinion.

I mean, really? How does this not ruffle anyone on set's glittered feathers? Is such acceptance of such ignorance and consumerism over humanity really so pervasive? Heck, as noted in EW, they even mixed up racial identity with national and cultural identity, telling the aspiring models that Hawaii's a melting pot of races so they're each going to portray a jumble of Greek/Mexican, Moroccan/Russian, Botswana/Polynesian, Tibetan/whatever individuals.

Shows like Ugly Betty try to show the intelligence and thought process behind fashion shoots, the covering of all bases and being smart about it. These showrunners didn't even bother, reducing Native Americans to an eagle-staring people and Tibet to a stereotype of tranquility and oppression.

"You Say Goodbye, and I Say Hello"
The O.C.

I may not have been a fan of The O.C. during its run, but it certainly grew on me - the characters, some of their storylines, and the fanaticism that drove several people I know to watch it almost religiously. It became an indelible part of pop culture in every sense it could, by not only reflecting a certain intellectual teenage angst and need for soapy drama while also eventually shaping the culture that birthed it itself.

I like tonight's ending. Coming full circle was the theme, with the lives and milestones for the characters we've come to know, shake our heads at, hold hands with, and love moving forward in so many wonderful, beautiful, and natural yet still surprising and unexpected ways. Seth and Summer go their separate ways to find themselves, only to return to one another for a magical wedding that everyone felt was coming, but wasn't sure about because this is prime time television and writers and networks almost never give any real closure or make any real sense with a lot of things. Julie Cooper chooses to "marry" and commit to herself by pursuing the college degree she'd never achieved while letting herself and her family love her and each other. The Cohens move back to Berkeley, to the home that has apparently "been theirs" (emotionally speaking) all along, and to a "normal" life and a growing family. And last, but not least, Ryan leaves Newport, goes to college, and makes something of himself (maybe with Taylor, maybe without) - only to grow up and eventually pay it forward when he sees himself in the face of a troubled youth on the sidewalk. The O.C. was a journey built and seen through Ryan's eyes and it is supremely fitting and satisfying for the journey to refocus itself with him and what new, yet familiar paths he will choose to take.

Very rarely does a series ending episode strive to leave viewers with closure, understanding, belief and acceptance. By giving us a sneak peek at a sort of dual epilogue and introduction into our characters' lives, the writers, network, and actors showed us that they truly understand what the entire show is all about - love, laughter, living, and the people who we choose to share it all with. Hats off to that. We've seen their journey; now it's our turn.